2025 Cluj in residence
In the summer of 2025 I got the chance to take part in a residency in my home-town, funded by Centrul Cultural Clujean. And so,…
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Testing-testing
The search for the perfect page. Or maybe, not perfect, let’s call it… sustainable. Can I do it fast (…hahaha, there is no fast with…
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Comics
So, I blinked and it was February. So much to do, so little time – which is not… entirely true. More accurate, so much to…
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2022 A Year In Pictures
It’s been a long year and it went by in a heartbeat. A big thank you to everyone who was part of it and onward…
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SOI 65
The Timemongers Card Deck has been selected for the 65th annual Society Of Illustrators exhibition. It’s some of the best news I’ve ever received, and…
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The Timemongers Concert
I spent the best part of 2022 working on this, so I figured it deserved its own post :). I ”blame” Comic Art Europe for…
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Saturday Sketches
I do try to draw them weekly, but hey… More quick drawings, references from bodiesinmotion.photo
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Saturday Sketches
Reference from bodiesinmotion.photo, I do love their 3D scans.
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Saturday Sketches
A post from may that somehow hid in drafts…
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2020 – Counting blessings
: to make a special effort to appreciate the good things in one’s life So, it’s now the first of January 2021. And as we…
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The Merchant of Venice
It all started with the digital sketches… And then there were the oil pastel trials… Same for the boat scene… And it’s both annoying and…
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Making of – Portia
…from the Merchant of Venice. The initial sketch was done in the summer of 2019, and I found the time to finally finish it one…
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Twelfth night
(or the melodrama if the artist who forgot how traditional art works). So, after working digitally for a very long time, and longing to get…
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Saturday Sketches 2020
So… the story goes like this: my 2020 goal was making a series of traditional works. And it tuned out to be more difficult than…
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Fisksoppa Portraits
Cartographer - Fisksoppa, year of the Wandering CroissantAll these portraits are character studies for the webcomic I am working on with @ileana_surducan . Some of… -
2019 A Year in Colour
Another year gone, a new year up on the horizon. I’ll never get used to the idea that it’s 2020. Mind you, I never got…
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Zestrea
Did I mention I’m designing a boardgame? Loosely based on the life in the traditional Romanian village (but really, it will look familiar to all…
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SelfPortrait
At the beginning of December 2018 I was invited by Goethe Institute Bucharest to take part in a live-drawing interview.. Together with Sarah Burrini and…
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The Six Swans
I normally sketch by hand, scan the image and then work on it digitally. This is mostly because if I try to sketch digitally, I…
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Oil Pastel Work in Progress
I revisited oil-pastels in at the beginning of this year. They are messy, sticky, hard to control on details and they never dry. Also, I…
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Animation (once again)
Animation is a lot of work. It’s also very addictive…
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Animation
Stuff I learned at Visual Playground, applied :P.
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Saturday Sketches
…the last of 2017 :)
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Saturday Sketches
Balamuc / loc de joacă ș-altele invited me to take part in their sketchbook exhibition – ”În linii mari”, running from the 30th of September…
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Visual Playground – Day8
On the eighth day, Adrian Diac and Paul Derșidan from BLAU had a musical challenge for us. We randomly got a mysterious song each, and…
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Visual Playground – Day6-7
The next two days were dedicated to animation, with Henrique Barone. Since this was the only two-day workshop, it was also the one where I…
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Visual Playground – Day5
On the fifth day, Malika Favre reviewed our portfolios, with assistance from Hedof. Photo credits: Cătălin Georgescu As mentioned before, I was with a bunch…
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Visual Playground – Day4
The fourth day was Lettering Day with Tobias Hall. I must admit I was dreading this a bit – I am an amateur, mostly because…
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Visual Playground – Day3
The third day we went on a field trip to Fabrik, a challenge-loving printing-house in Bucharest (fun fact – I have actually worked with them…
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Visual Playground – Day2
The second day was Mattias Adolfsson‘s workshop. Photo credits: Cătălin Georgescu He always seemed to me like a person who has waaaay too much fun…
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